I was actually quite impressed with myself and having to work with the original photo. It was a tiny photo-booth picture, flat lighting, and the contrast was out of control. So I quite the time getting the forms to turn properly and look correct. It was a challenge and I learned a lot, I'm glad my friend asked me to draw it for them.Monday, February 14, 2011
"Photo-Booth Kiss"
I was actually quite impressed with myself and having to work with the original photo. It was a tiny photo-booth picture, flat lighting, and the contrast was out of control. So I quite the time getting the forms to turn properly and look correct. It was a challenge and I learned a lot, I'm glad my friend asked me to draw it for them.Drippy Rub-Out
My second trial run at rub-out, I like it so much! Rub-out is helping a lot with my value jumps, and letting me compare the colors of the model and environment for the value that they actually are.
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11 x 14 oil on canvas board
Sunday, February 6, 2011
"Mildy Vague"
Introducing my first rub-out! Wow what a completely different experience then I thought. It's definately something I will work on more often because it helps with my values and to paint loosely. I had to choose my battles, there was no way to get detailed this way, (which I'm looking for). To show accuracy in limited stokes is a mark of talent that I'm looking to learn.
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16 x 24 oil on gessoed hardboard
"Inspiration in an opponents loss"

What better inspiration then the loss of an opponent. :) No but really it happened to be a slow week at work and the sports section had some good color photos to work with. When I photographed these in the garage though the lighting must've been really cold, there's so much more blue in these than I expected.
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8 x 10 pastel on sketch paper
Sunday, December 12, 2010
"Movie Star"
I really don't like having to paint from photo but sometimes it's my only option. So I try to find some that are designed well with a good light source, which is a lot harder than I thought it'd be. Sometimes google has TOO much info, that it can be difficult to find what you're looking for. I was happy with this one though because I got too use my palette knife with the earings!
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6" x 6" oil on canvas board
"Patience"
Oh the patience of my wife, I needed a model for a face study so I set up a single light structure and had her sit and watch a show. I've been trying to paint or draw something everyday so sometimes I need to have her help. I really liked the light direction on the face and the palette knife work in her hair, but the neck needs a bit more color.
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6" x 6" oil on canvas board
"Christmas Time"
This was the last model session in figure drawing for the semester, sad. :( But then starts another in one month! The model said my painting study reminded here of christmas time because of the red nose and rosey cheeks. I wanted to just focus on the face and head structure for the session being we only have about 1 hr 45 min after we start and model breaks. The only part I was unsatisfied with was the lip structure which is going to be my upcoming focus.
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6" x 6" oil on canvas board
Sunday, November 28, 2010
"Admiration in Contour"
So my next semester of school I will be taking an advanced figure class and a large portion will be in full value charcoal which I don't work on as often as I should. So for my head study this day I sadly set my paints aside and focused on my charcoal skills. I love the contour line drawing left over in the left hand and hair and decided to leave it as is.
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8" x 11" charcoal on sketch pad
"Full Figure"
I don't add many full figures from my class studies to my blog. It's about 1 hr 50 min of time painting. My values improved a lot here, having the complete figure in the light side and still having it turn well. I didn't get to work on the face as much as I would've liked but for being blocked in quick I was satisfied.
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11" x 14" oil on canvas board
"Wannabe Still-Life"
So I'm not confident with my still life at all. My focus lately has been primarily figure and faces.The part that stands out the most to me is the color scheme; red, yellow, and blue. All very obvious, it gave this study a design feel that I usually struggle with.
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6" x 6" oil on canvas board
"Superman" "Ghost Rider"

I wanted to work more with my pastel recently and had a short period of free time at work. I really enjoy using comic book characters with pastel because of the extreme color you can use and still have it work nicely.
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8" x 11" pastel on sketch pad
"Elegance"

Here's another daily face I painted a couple weeks ago and am just barely getting it put up now. lol. I've been studying Malcolm Leipki a lot lately to improve on the feminine lips, which I think it has shown already some obvious progress in comparison to past entries.
"1944 - Amsterdam Holland"





This series of small paintings follows a book a friend is making for their family for Christmas . It was about a 2 1/2 week period I had to make them so it really was crunch time. I had lots of fun setting up the models and combining ideas from other pictures. My favorite by far is the farmer carrying the fast-asleep boy, the red blanket really made it dramatic for me and I got to use my permanent red deep straight out of the tube!
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5" x 7" oil on masonite
Sunday, October 17, 2010
"I'm Batman"

So lately I’ve been using pastels for illustrations/studies at work. It’s a little easier clean-up for me and I get less concerned looks from management that something might spill like oils. They’ve actually helped my oil painting in many ways for a couple reasons: First, laying down shapes in place of being nit-picky with a little brush. You have these inch long pastel pieces w/o a sharpened tip and it becomes necessary to choose your battles. Second, with pastel you can over exaggerate your color and it still fits. I love that about pastels! And third, I love mixing, but with oils it’s easy to get in the habit of mushing your paints on the canvas and not being confident with the color and stroke. With pastels it becomes harder to lay color on color on color. So I’ll choose my shape and color from the start.
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8" x 11" pastel on sketch pad
"Nice Back!"
The light came out perfect on the model’s back, I got positioned began my painting. So sometimes I zone out completely listening to music and lose track of time and breaks. It was coming out nicely, very finished for a study. Then I saw everyone getting up and so I removed your headphones and caught the end of Rob’s sentence, “Before you leave. . .” I assumed class was over and cleaned up. Before I realized it, I had only been painting for an hour and ten or fifteen minutes! There were a couple things I fixed after, but I felt I captured the moment pretty well in the short time frame.
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16" x 20" oil on canvas board
"Youngin' "
Come this head study, I learned quickly why it is so important to do some kind of painting or drawing everyday or close to it. I couldn’t get the features correct, it just wasn’t working. So I scraped it and started over. After that, it was a piece of cake. I realized that if I wasn’t working so hard to get these small studies done so often and just painting in class. There would be no opportunity to run into these problems and work through them until a time comes when it’s too late.
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4" x 6" oil on canvas board
"Creeper Girl"
With my practice heads most the shadow sides of the faces have been cold with a warm light side. So for this one I had to search for a “vampire-like” face with a warm shadow/cold light side. Then learn to paint opposite of what I’m accustomed to so as to not get stuck in a rut. :)
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4" x 6" oil on canvas board
Sunday, October 3, 2010
"Emotion"


Working on emotion! This is so difficult, the position of any facial feature can change everything. :s These photos of the painting studies did not come out as well as I would've liked. The woman caught a huge reflection of light on the bridge of her nose and the man has flecks of light throughout the shadow area. Either way, the worn and beaten look came out pretty well on both. I struggled with the woman in looking down and not so much tired. The man I added tons of color and loved it!
For my birthday this weekend I received a 18' X 5' roll of canvas!!! More than I could've asked for, it'll last me a good while and I'll get a lot of practice gluing and streching my own canvas. :)
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4" x 6" oil on canvas board
Thursday, September 30, 2010
"Paint by Day"


So I pulled out a large canvas from when I was looking to paint one head a day and noticed a huge improvement form one year ago! The missionary looking head is from summer 2009 and the other two are from Wednesday, Sept. 29th and today. I'm dedicating about an hour and a half to two hours to each one of these , focusing on speed an and choosing large shapes of color. I started picking out the differences in style, paint quality, and composition. It's nice to see the artist in me begin to pull everything together! :)
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oil on canvas board,
various sizes
Thursday, September 23, 2010
"Our Lord and Savior"

I love this painting of Christ, the original is done by Ted Henniger, an amazing painter by the way. It isn't in print anymore and I wanted to purchase it for my home decor, so instead I decided to recreate from a photo of the original. I took this as an opportunity to add more color and paint with my style of brushwork, putting a lot of palette knife work into the beard and highlights on the forehead. It took me about a week, a total of 24 hours. Definitely better than I expected.
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16" x 20" oil on canvas board
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